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Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts
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Graphic Assembly
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An innovative look at the contribution of montage to twentieth-century architecture Graphic Assembly unearths the role played by montage and collage in the deve
Byzantium/Modernism
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Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architectu