Painting Light in Polio’s Shadow: One Artist’s Struggles

Painting Light in Polio’s Shadow: One Artist’s Struggles
Author :
Publisher : Archway Publishing
Total Pages : 241
Release :
ISBN-10 : 9781665715201
ISBN-13 : 1665715200
Rating : 4/5 (01 Downloads)

Book Synopsis Painting Light in Polio’s Shadow: One Artist’s Struggles by : Sharon White Richardson

Download or read book Painting Light in Polio’s Shadow: One Artist’s Struggles written by Sharon White Richardson and published by Archway Publishing. This book was released on 2021-11-23 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Landscape painter Sharon Richardson survived polio, a viral illness that damages or destroys the nerves essential for moving muscles. With no vaccines available, epidemics occurred unchecked. Also known as infantile paralysis, polio left youngsters crippled and dependent on leg braces, crutches, wheelchairs, and in some cases, iron lungs to breathe for them. Richardson was diagnosed with polio at the age of eight weeks in 1946. In a borrowed car, her parents drove their seriously ill infant, writhing with painful muscle spasms, a hundred miles to Mercy Hospital in Vicksburg, Mississippi. Enduring and responding to intense physical therapy treatments, she overcame the paralysis in her limbs and was released after two months. By the 1980s and 1990s, Richardson had established an enviable career with work in galleries and collections across the Southeast. Fifty-six years after recovering from paralysis, she succumbed to the muscle weakening effects of post-polio syndrome (PPS) in 2002. Approximately 25 to 40 percent of polio survivors are affected by PPS, and there is no treatment. She lost muscle strength and control in her legs, torso, and arms. This loss limited walking, increased scoliosis, and in her right arm, severely challenged Richardson’s ability to paint. Painting Light in Polio’s Shadow: One Artist’s Struggles reveals how she coped with PPS setbacks and challenges and how these impediments forced her to make radical changes in her private and professional life. She was determined to do everything necessary to continue painting — which included learning to paint with her nondominant left hand.


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