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Between Opera and Cinema

Between Opera and Cinema
Author :
Publisher : Routledge
Total Pages : 252
Release :
ISBN-10 : 9781136534072
ISBN-13 : 1136534075
Rating : 4/5 (72 Downloads)
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Book Synopsis Between Opera and Cinema by : Jeongwon Joe

Download or read book Between Opera and Cinema written by Jeongwon Joe and published by Routledge. This book was released on 2012-12-06 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.


Between Opera and Cinema Related Books

Between Opera and Cinema
Language: en
Pages: 252

Between Opera and Cinema

Authors: Jeongwon Joe
Categories: Music
Type: BOOK - Published: 2012-12-06 - Publisher: Routledge

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Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Storytelling in Opera and Musical Theater
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Storytelling in Opera and Musical Theater

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Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to
Opera as Soundtrack
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Opera as Soundtrack

Authors: Jeongwon Joe
Categories: Music
Type: BOOK - Published: 2016-05-13 - Publisher: Routledge

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Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and c
Vocal Apparitions
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Vocal Apparitions

Authors: Michal Grover-Friedlander
Categories: Music
Type: BOOK - Published: 2005-02-27 - Publisher: Princeton University Press

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Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interpre
When Opera Meets Film
Language: en
Pages:

When Opera Meets Film

Authors: Marcia J. Citron
Categories: Music
Type: BOOK - Published: 2010-05-27 - Publisher: Cambridge University Press

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Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subj