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Originally published as Volume 2 of The Tao of Painting, this is the first English translation of the famous Chinese handbook, the "Chieh Tzu Yüan Hua Chuan" (
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Transcendent, paradoxical, disdainful of authority, Mott recasts pastoral verse, the epigram, and Eastern poetry for contemporary, twenty-first century readers.
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The new works that Xu Bing is presenting for the first time in this exhibition address the language that these two projects have avoided: the Chinese language,