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The institutionalization of contemporary art, seen on a global scale, has only just begun. Despite an increase in global art production, and in the number of bi
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In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a sta
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Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book.