The Last Children of Mill Creek
Author | : Vivian Gibson |
Publisher | : Arcadia Publishing |
Total Pages | : 104 |
Release | : 2020-04-20 |
ISBN-10 | : 9781948742795 |
ISBN-13 | : 1948742799 |
Rating | : 4/5 (95 Downloads) |
Download or read book The Last Children of Mill Creek written by Vivian Gibson and published by Arcadia Publishing. This book was released on 2020-04-20 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bestselling memoir of a vibrant childhood spent in a thriving St. Louis African American community before “urban renewal” changed everything. Vivian Gibson grew up in Mill Creek Valley, a segregated working-class neighborhood in St. Louis that was razed in 1959 to build a highway, an act of racism disguised under urban renewal as “progress.” A moving memoir of family life at a time very different from the present, The Last Children of Mill Creek chronicles the everyday lived experiences of Gibson’s large family―her seven siblings, her crafty, college-educated mother, and her hard-working father―and the friends, shop owners, church ladies, teachers, and others who made Mill Creek into a warm, tight-knit African American community. In Gibson’s words, “This memoir is about survival, as told from the viewpoint of a watchful young girl―a collection of decidedly universal stories that chronicle the extraordinary lives of ordinary people.” Winner of a Missouri Humanities award for literary achievement, The Last Children of Mill Creek is an important book for anyone interested in urban development, race, and community history―or for anyone who was once a child. Praise for The Last Children of Mill Creek 2022 Missouri Author of the Year Winner Missouri's “Great Reads from Great Places” Selection for the 2023 National Book Festival “This is a story borne aloft by the sheer human joy of storytelling, of memory, of tender love for a mother and a father and for a vanished time and place. It is a book that, while steadfastly refusing the American fiction of color blindness, just as steadfastly refuses to portray Black life through the single warped lens of white-induced pain.” —TheLos Angeles Review of Books