For Love and Money: the Literary Art of the Harlequin Mills and Boon Romance

For Love and Money: the Literary Art of the Harlequin Mills and Boon Romance
Author :
Publisher : Humanities-Ebooks
Total Pages : 232
Release :
ISBN-10 : 9781847601964
ISBN-13 : 1847601960
Rating : 4/5 (64 Downloads)

Book Synopsis For Love and Money: the Literary Art of the Harlequin Mills and Boon Romance by : Laura Vivanco

Download or read book For Love and Money: the Literary Art of the Harlequin Mills and Boon Romance written by Laura Vivanco and published by Humanities-Ebooks. This book was released on 2011-01-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Laura Vivanco's study challenges the idea that Harlequin Mills & Boon romances are merely mass-produced commodities, churned out in accordance with a strict and unchanging formula. She argues that many are well-written, skilfully crafted works, and that some are small masterpieces. For Love and Money demonstrates the variety that exists beneath the covers of Harlequin Mills & Boon romances. They range from paranormal romances to novels resembling chick lit, and many have addressed serious issues, including the plight of post-Second World War refugees, threats to marine mammals, and HIV/AIDS. The genre draws inspiration from Shakespearean comedies and Austen's novels, as well as from other forms of popular culture. "“Laura Vivanco’s 'For Love and Money' is an impressive study of the popular fiction of Harlequin Mills and Boon that is a must read for any student of popular fiction and for those who write and love the genre” —Liz Fielding, author of over 50 Harlequin Mills & Boon romances.“Deep learning, wide reading, and clear thinking are very much in evidence in Vivanco’s exploration of HM&B. A welcome addition to popular romance criticism.” — Professor Pamela Regis, author of 'A Natural History of the Romance Novel'."Laura Vivanco’s analysis of the category romance is both meticulous and inspiring. And while Vivanco limits her examples and discussions to category romances by Harlequin Mills & Boon and the HQN imprint, her application of Frye’s mimetic modes begs for expansion to texts and authors across the genre. This piece of literary criticism should serve as a template for romance scholars to move from defending the genre to discussing its values and complexity as a literary art. — Maryan Wherry, 'Journal of Popular Romance Studies'


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