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Language: en
Pages: 304
Pages: 304
Type: BOOK - Published: 2004 - Publisher: Boydell Press
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos
Language: en
Pages: 378
Pages: 378
Type: BOOK - Published: 1979 - Publisher: Charles Scribner's Sons
Language: en
Pages: 300
Pages: 300
Type: BOOK - Published: 2014 - Publisher:
This is the sequel to Richard Maunder's 'The scoring of Baroque concertos' (Boydell, 2004), now covering the period 1750-80, a time when the concerto was evolvi
Language: en
Pages: 688
Pages: 688
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuri
Language: en
Pages: 390
Pages: 390
Type: BOOK - Published: 2004 - Publisher: Boydell Press
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.