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Library music materials require a more complex shelflisting approach than books in order to account for extremely prolific composers, works with generic titles,
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Due to the distinctive nature of music as a separate "language" that non-musicians are often unable to read or understand, the cataloging and classification of
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The literature of American music librarianship has been around since the 19th century when public libraries began to keep records of player-piano concerts, sign
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A detailed reference work that documents every aspect of the American public library experience through topical entries, statistics, biographies, and profiles.
